Final night time’s The Final of Us finale on HBO Max ushered within the inevitable, the factor so many people have feared for a decade: Main publications, the same ones who refer to video games as if they’re all still like Pac-Man, are weighing in on its controversial ending.
Maybe it goes with out saying, however large spoilers for each the ending of the primary sport and the HBO season finale comply with. Learn on at your personal peril.
In case you’ve managed to keep away from each waves of The Final of Us ending dialogue, right here’s a quick recap of each the sport and collection: After promising to securely ship Ellie (Bella Ramsey), a younger woman proof against the an infection that has ravaged the world, to a revolutionary group decided to develop a remedy, Joel (Pedro Pascal) learns that they’ll should kill the younger woman within the growth course of. However as a substitute of letting one little woman die for the sake of the human race, Joel goes on a killing rampage via the hospital during which she’s being held, murdering each final particular person and rescuing the sedated little one—on the expense of the remainder of humanity.
The Final of Us finale discourse goes mainstream
When the sport got here out in 2013, this ending sparked a reasonably easy debate over what you’d sacrifice in your family members—and several other extra debates that have been far more nuanced about problematic tropes, gore for gore’s sake, and whether or not or not this sport was “the best story ever instructed in video video games.” Naturally, these of us who’ve been concerned within the business indirectly have grown weary of The Final of Us discourse, not solely as a result of it appears to tread and retread the identical floor advert infinitum, however due to the all-too-often ire that accompanies such a dialog.
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However now, everyone seems to be speaking about this fucking ending, from my video game-ignorant mother and father who as soon as anxious about me screaming into my microphone when taking part in Halo 3, to the particular person at my gymnasium who is aware of what I do for a residing, and even prestigious, legacy information publications like The New York Instances. That each day newspaper has picked up the discourse torch, albeit 10 years after it was first lit by players throughout the globe. And although it’s lined The Final of Us in some capability earlier than, whether or not it’s filtering the primary sport via a Feminist Frequency lens or discussing the notorious DLC (each the work of 1 journalist, Chris Suellentrop), the newspaper monolith has by no means ventured into the murky waters of discussing The Final of Us’ ending.
Nicely, due to the finale of the hit HBO collection, it has. However, like all legacy publications decided to deal with video video games with an astonishing lack of nuance, it’s clear that even in any case these years, normies don’t know learn how to speak about video video games. Possibly it’s straightforward to really feel that method as a result of the piece is titled “The Final of Us Finale: First-Individual Shooter” or as a result of the opening paragraph options the critic waxing poetic about how he’s by no means performed the sport earlier than however did, for the primary time in his profession, watch a online game walkthrough previous to writing. Or as a result of he refers to The Final of Us as a “shoot-em up.”
Becoming a member of the Instances and the ranks of online game publications and podcasts and YouTube channels who’ve talked about The Final of Us’ ending till they have been blue within the face are The Hollywood Reporter (“harrowing”, “provocative”, brings up the trolley drawback), Leisure Weekly (“cataclysmic”, interviews Druckmann), and The Washington Put up’s gutted gaming vertical Launcher (Gene Park, a video games journalist, asks, “did Joel do the suitable factor?”).
What the recognition of HBO’s collection means is extra discourse about an ending that has been talked to demise in lots of gaming circles, and extra conversations about whether or not or not video video games can efficiently be tailored into tv exhibits and films. It means, as Carl “CJ” Johnson so eloquently places it in Grand Theft Auto: San Andreas, “Ah shit, right here we go once more.”