2008’s The Unbelievable Hulk was not at all a failure. It greater than made again its funds, and it scored a Metacritic ranking that lands it comfortably within the “not nice, however not unhealthy” class. It was, nonetheless, rapidly discarded from the Marvel Cinematic Universe. Edward Norton’s tackle Marvel’s Inexperienced Imply Machine was retconned away, with Mark Ruffalo changing him and doing a really totally different tackle Hulk. Most of The Unbelievable Hulk was lowered to a blink-and-you’ll-miss-it cameo in 2012’s The Avengers.
However round 2021, the Norton film turned related once more as Disney began incorporating parts from the movie again into the MCU continuity, beginning with Tim Roth returning as Emil Blonsky, aka Abomination, in a cameo in Shang-Chi and the Legend of the Ten Rings, and later as a visitor star on She-Hulk: Legal professional at Regulation.
Establishing stronger ties between earlier and later takes on the MCU Hulk felt particularly important with She-Hulk, a collection that appeared to deliver Bruce Banner’s story to an finish so he might cross the torch on to his cousin. After a bunch of flicks the place Ruffalo’s character rampaged as simply Banner, simply Hulk, and a mixture of the 2 within the type of Professor Hulk (Bruce’s thoughts in Hulk’s physique, a hybrid who debuted in Avengers: Endgame), it actually felt like that character’s potential had been absolutely tapped. So it made sense to clear the stage for a complete new Hulk. Not only a feminine tackle the character, but in addition a extra comedic one: The comedian e book She-Hulk was mainly the unique Deadpool, full with fourth-wall-breaking jokes.
However the potential for the MCU Hulk is way from depleted. There are nonetheless so many issues the writers of Marvel blockbusters haven’t accomplished with him. And the foundations have been already laid down in The Unbelievable Hulk.
There are two notable issues that later Marvel films did not transplant from the Ed Norton film. The primary is Tim Blake Nelson, who on the finish of the movie began reworking into the traditional Hulk villain The Chief. When the MCU dropped that concept, audiences missed out on a cool character with limitless mind and self-importance, plus telekinesis and the shortcoming to die. Apart from, teasing extra of Tim Blake Nelson in a franchise with out delivering on it must be a felony. The second factor we misplaced is a feral, animalistic Hulk who can’t maintain a dialog and might’t be managed — a scarier, extra thrilling model of the character who’s a lot nearer to the comics’ unique model of him as one thing like a radioactive werewolf.
The stakes for Hulk are greater from the primary few seconds of The Unbelievable Hulk, the place we see Norton as Bruce Banner testing a treatment for gamma radiation poisoning, which triggers his transformation. We watch from his POV as he hurts the folks round him, together with his girlfriend Betty (Liv Tyler), who sees him as a terrifying monster with no connection to Bruce.
Director Louis Leterrier does all of this with out dialogue, by means of visuals solely. That ups the depth, serving to the scene go straight to the lizard portion of the viewers’s grey matter, the place it’s processed the identical method as a horror film. That’s actually the core of what makes The Unbelievable Hulk so nice. It isn’t an precise horror flick, however many components of it, its tackle the titular character included, are horror or horror-adjacent.
By going this route, Leterrier has does some notably memorable issues with Hulk that give the character extra depth. For instance, at any time when this model of Bruce reverts again to human type, Norton performs him as clearly exhausted, terrified, and traumatized. After the battle at Culver College, when Betty checks herself and Bruce right into a motel, this character who was simply shrugging off bullets the scale of thermoses is lowered to a shivering mess lined in a blanket. He can’t discuss, he can barely transfer, and when he one way or the other manages to get within the bathe, he begins reliving the trauma of the battle, the place he wasn’t in command of himself and was being shot at. After so many Marvel films the place superheroes have confronted off towards house demons, the Goddess of Dying, and an alien imbued with the nice powers of the cosmos, a personality feeling fearful of weapons appears virtually quaint. However it isn’t quaint — it’s human. Ed Norton’s Hulk is refreshingly human.
Evaluate that scene with the primary time Mark Ruffalo’s Bruce Banner transforms into the Hulk in The Avengers, falls to Earth, modifications again to human, and instantly begins quipping with a safety guard. It’s not that specializing in trauma is best than comedian aid — each are legitimate takes on Hulk that may be backed up by some iteration of the comics. And there’s no denying that Mark Ruffalo’s efficiency has been an enormous hit with audiences, serving to make Hulk an A-list superhero. However as a lot as Ruffalo’s Bruce talks about how he’s afraid of “the opposite man,” his model of Hulk remains to be a hero, somebody who immediately appears as in-control as he must be at any time when the motion beats name for it. Ed Norton’s Hulk isn’t.
The 2008 film hammers in that time over and over, most notably proper after the Culver College battle, the place Hulk takes the unconscious Betty away and hides them each from the rain, tucked beneath a rock outcropping. When she wakes up, she screams on the sight of him. Later, we see Hulk yelling on the storm and hurling rocks at it. This Hulk isn’t a superhero, he’s a robust animal. He’s mainly a large ape, with a point of sentience, however in the end working on animalistic intuition. That’s why, relating to the ultimate showdown between this character and Abomination, Norton’s Banner doesn’t plan to alter, then hope Hulk will select to be noble and save the day. As a substitute, he hopes to “goal” the inexperienced monster on the different monster, and pray like hell that he doesn’t harm any harmless folks alongside the way in which.
The bizarre factor is, The Avengers seemed prefer it was going to offer us that Hulk to start with, with a Ruffalo-Hulk who’s feral, harmful, and incapable of telling buddies from enemies. Later in the identical movie, although, co-writers Joss Whedon and Zak Penn dial down his wildness and switch him into the Marketable Hulk, who understands human speech, waits for Captain America’s directions to smash issues, and saves Iron Man when he’s falling from the sky. As soon as extra, there’s nothing unsuitable with that take — however there’s a transparent disconnect between Hulk initially of the film and on the finish, with no clear purpose for the change.
So why not repair that? What if the MCU went again to that model of the character? We see glimpses of it in The Avengers: Age of Ultron, when Scarlet Witch messes with Hulk’s thoughts, however there’s a lot extra story potential for a extra harmful, much less urbane Hulk, a Hulk who can’t actually be known as an Avenger as a result of he doesn’t have sufficient of a thoughts to consent to being a part of a staff. A Hulk who would in all probability should be “contained” and geared toward enemies the Avengers can not deal with, which raises the varieties of giant moral questions the MCU might stand to sometimes think about.
All of that would nonetheless be accomplished. Professor Hulk doesn’t should be the ultimate phrase on the character within the MCU. 100 various things can occur to discover Hulk additional as a feral killing machine. If solely Marvel and Disney really wished that. They in all probability don’t, as a result of he’s extra marketable as a superhero. However the possibility remains to be on the desk, simply ready for somebody to select it up and proceed what The Unbelievable Hulk began 15 years in the past.